a cura di Gustavo Marfia e Giovanni Matteucci
Table of Contents
Articles
| Some remarks on aesthetics and computer science | |
| Gustavo Marfia, Giovanni Matteucci |
| The digital in digital art | |
| Mario Verdicchio |
| Creative possibilities of repetition in videogame aesthetics | |
| Alejandro Lozano |
| Taste and the algorithm | |
| Emanuele Arielli |
| Digital music. Storia e implicazioni teoriche | PDF (Italiano) |
| Giacomo Fronzi |
| The impact of AI on the musical world: will musicians be obsolete? | |
| Luca Casini, Marco Roccetti |
Focus
| Marx 1818-2018: Aesthetic traces of his legacy | |
| Stefano Marino (editor) |
| The aesthetics of non-objectivity. From the worker’s two bodies to cultural revolution | |
| Daniel Hartley |
| The aesthetic politics of hegemony | |
| Samir Gandesha |
| Council aestheticism? Pannekoek, the avant-garde and contemporary art | |
| Sven Lütticken |
Reviews
| Wolfgang Welsch, Ästhetische Welterfahrung. Zeitgenössische Kunst zwischen Natur und Kultur, Paderborn, Fink, 2016, pp. 120 | PDF (Italiano) |
| Silvia Pieroni |
| Richard Shusterman (a cura di), Aesthetic experience and somaesthetics, Leiden-Boston, Brill, 2018, pp. 220 | PDF (Italiano) |
| Stefano Marino |
| Nidesh Lawtoo, Il fantasma dell’io. La massa e l’inconscio mimetico, tr. it. di E. Cantoni, Milano-Udine, Mimesis, 2018, pp. 370 | PDF (Italiano) |
| Emanuele Antonelli |
| Saulius Geniusas, Dmitri Nikulin (a cura di), Productive imagination: its history, meaning, and significance, London-New York, Rowman and Littlefield, 2018, pp. 206 | PDF (Italiano) |
| Danilo Manca |
| Michael Squire, Paul A. Kottman (a cura di), The art of Hegel's aesthetics. Hegelian philosophy and the perspectives of art history, Paderborn, Fink, 2018, pp. 389 | PDF (Italiano) |
| Francesca Iannelli |
| Sacha Golob, Heidegger on concepts, freedom and normativity, Cambridge, Cambridge University Press, 2014, pp. 270 | |
| Marco Cavazza |
Surveys
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